{"id":2785,"date":"2024-10-10T13:52:44","date_gmt":"2024-10-10T13:52:44","guid":{"rendered":"https:\/\/www.mishafryc.com\/?post_type=product&p=2785"},"modified":"2024-10-26T21:34:09","modified_gmt":"2024-10-26T21:34:09","slug":"death-in-the-mirror","status":"publish","type":"product","link":"https:\/\/www.mishafryc.com\/en\/product\/death-in-the-mirror\/","title":{"rendered":"Death in the Mirror"},"content":{"rendered":"\t\t
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Jednoho dne zem\u0159e\u0161.<\/h2>

Po\u010dkej, to nen\u00ed v\u00fdhru\u017eka.<\/p>

Je to p\u0159ipom\u00ednka.<\/p>

P\u0159\u00edli\u0161 \u010dasto se toti\u017e chov\u00e1me, jako bychom byli nesmrteln\u00ed.<\/p>

P\u0159edstav si, \u017ee ses pr\u00e1v\u011b probudil v nemocnici a l\u00e9ka\u0159 ti \u0159ekl:<\/p>

\u201cJe mi to opravdu l\u00edto, ale zb\u00fdv\u00e1 V\u00e1m jen p\u00e1r dn\u00ed \u017eivota.\u201d<\/p>

To nen\u00ed lehk\u00e9 sly\u0161et.<\/p>

Ale co bys nakonec ud\u011blal?<\/p>

\u017dil bys d\u00e1l stejn\u00fdm zp\u016fsobem nebo\u2026.<\/p>

U\u017e\u00edval si ka\u017ed\u00fd den naplno? D\u011blal bys to, co jsi v\u017edycky cht\u011bl? To, co je pro tebe nejd\u016fle\u017eit\u011bj\u0161\u00ed a s lidmi, kter\u00e9 m\u00e1\u0161 nejv\u00edc r\u00e1d?<\/p>

Jak velk\u00fd je rozd\u00edl mezi t\u00edm, jak bys pro\u017eil sv\u00e9 posledn\u00ed dny, a t\u00edm, jak \u017eije\u0161 te\u010f?<\/p>

Na\u0161e vyh\u00fdb\u00e1n\u00ed se nepohodl\u00ed a strachu n\u00e1s ob\u00edr\u00e1 o to nejlep\u0161\u00ed. Zamysli se nad t\u00edm, a\u017e p\u0159\u00ed\u0161t\u011b bude\u0161 cht\u00edt n\u011bco d\u016fle\u017eit\u00e9ho odlo\u017eit na z\u00edtra.<\/p>

Tenhle obraz ti nab\u00eddne novou perspektivu, abys mohl vid\u011bt sv\u00e9 p\u0159ek\u00e1\u017eky jako malichernosti, kter\u00fdmi jsou.<\/p>

Uv\u011bdom si, jak cenn\u00fd je ka\u017ed\u00fd okam\u017eik a co je pro tebe opravdu d\u016fle\u017eit\u00e9.<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Toto d\u00edlo bylo vystaveno v galerii M.A.D.S. Milano v r\u00e1mci v\u00fdstavy s n\u00e1zvem Dream Room \u2013 International Contemporary Art Exhibition.<\/p>

Toto je anal\u00fdza a kritick\u00e1 recenze, kterou napsala kur\u00e1torka um\u011bn\u00ed Silvia Grassi:<\/p>

\u201cZrcadlo slou\u017e\u00ed k pohledu do tv\u00e1\u0159e a um\u011bleck\u00e9 d\u00edlo k pohledu do du\u0161e.\u201d<\/h3>

(cit.George Bernard Shaw)<\/p>

Pohled do zrcadla je zp\u016fsob, jak obdivovat svou vn\u011bj\u0161\u00ed postavu, ale je to tak\u00e9 jedin\u00fd zp\u016fsob, jak se d\u00edvat p\u0159\u00edmo do vlastn\u00edch o\u010d\u00ed, a proto\u017ee o\u010di jsou oknem do du\u0161e, znamen\u00e1 to tedy nahl\u00e9dnout dovnit\u0159, reflektovat o na\u0161ich vnit\u0159n\u00edch aspektech, kter\u00e9 nejsou navenek vid\u011bt.<\/p>

Zrcadlo n\u00e1s stav\u00ed p\u0159ed n\u00e1s samotn\u00e9, ukazuje n\u00e1m vn\u011bj\u0161\u00ed a vnit\u0159n\u00ed \u010d\u00e1st na\u0161\u00ed bytosti, na\u0161e t\u011blo a na\u0161i du\u0161i.<\/p>

Tot\u00e9\u017e se d\u011bje, kdy\u017e pozorujeme d\u00edla um\u011blce: d\u00edlo je zrcadlem jeho du\u0161e, branou k jeho hlub\u0161\u00edmu j\u00e1.<\/p>

Mlad\u00fd \u010desk\u00fd um\u011blec Misha Fry\u010d n\u00e1m sv\u00fdm d\u00edlem nazvan\u00fdm \u201cSmrt v zrcadle\u201d ukazuje, co se mu odr\u00e1\u017e\u00ed v zrcadle: abstraktn\u00ed a neur\u010dit\u00e9 kontury obrazu smrti, kter\u00e9 tak\u00e9 symbolizuj\u00ed vzd\u00e1lenou budoucnost.<\/p>

Ale neboj\u00ed se j\u00ed, naopak, dot\u00fdk\u00e1 se j\u00ed rukou.<\/p>

Ve skute\u010dnosti n\u00e1s d\u00edlo zav\u00e1d\u00ed do jeho \u00favah a jeho velmi intimn\u00ed a osobn\u00ed my\u0161lenky: v\u011bdom\u00ed, \u017ee ne\u017eijeme v\u011b\u010dn\u011b, a proto se n\u00e1m bez obav z budoucnosti mus\u00ed poda\u0159it co nejl\u00e9pe vyu\u017e\u00edt ka\u017ed\u00fd okam\u017eik, kter\u00fd je n\u00e1m d\u00e1n.<\/p>

Jak vid\u00edme na zde prezentovan\u00fdch d\u00edlech, komunika\u010dn\u00ed s\u00edla a \u00fa\u010dinnost Mishov\u00fdch prac\u00ed spo\u010d\u00edv\u00e1 ve schopnosti prol\u00ednat abstrakci s realismem, a spojit tak sen a realitu, fantazii a konkr\u00e9tn\u00ed ud\u00e1losti, vnit\u0159n\u00ed my\u0161lenky a pro\u017eit\u00fd \u017eivot v jeden celek.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Silvia Grassi
Art Curator
M.A.D.S. Milano<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Z\u00edskej odvahu<\/b> p\u0159ekonat sv\u016fj strach.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dal\u0161\u00ed obrazy na toto t\u00e9ma<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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